The Blurb from Penguin:
The book that has taken the US and UK by storm.
Enter a vanished and unjust world: Jackson, Mississippi, 1962. Where
black maids raise white children, but aren't trusted not to steal the silver...
There's Aibileen, raising her seventeenth white child and nursing the
hurt caused by her own son's tragic death; Minny, whose cooking is nearly as
sassy as her tongue; and white Miss Skeeter, home from College, who wants to
know why her beloved maid has disappeared.
Skeeter, Aibileen and Minny. No one would believe they'd be friends;
fewer still would tolerate it. But as each woman finds the courage to cross
boundaries, they come to depend and rely upon one another. Each is in a search
of a truth. And together they have an extraordinary story to tell...
My Thoughts on The Help:
So much has been written about
this book already that whether I say “Oh, I loved this book” or “Phew, I am so
glad I’ve finished that one”, it’s all been said before.
Firstly, though, I have to say
that I really wish I had not read the appendix, Too Little, Too Late, as that rather put me off the author. To me,
her tone was like something from the days of “Gone With the Wind”, almost an
exercise of self-mitigation, but really coming over as self-congratulation, as
in, “Oh, look how enlightened I am”. I just didn’t buy it. Sometimes it really is better if the author
remains a totally unknown quantity.

Regarding the people who walk
through the pages of Kathryn Stockett’s book, I wanted to care far more deeply
about Aibileen and Minny than I did, but they struck me as being caricatures
more than characters. Unfortunately, I felt that way about almost everyone
peopling this book. Ms Skeeter just annoyed the hell out of me, and the idea of
her traipsing in the dark through the ghetto area, swathed in dark clothing, at
times even arriving in a Cadillac, was really quite silly. As for poor “white
trash” Celia, I can’t help wondering how it is that the sort of person who
would fall in love with her could have once been engaged to the ghastly Ms
Hilly. That really jarred with me, and I could not accept it at all. As the
book progressed, it occurred to me that there was a real problem with the male
of the species in The Help. The white
men are all portrayed as incredibly weak, while the black men are mostly
drunken wife-beaters. Either way, they are no more than wallpaper in this work,
and the sort of wall paper you would really rather paint over.
Having said all this, there are some
passages which I considered excellent, places where I thought, “Ah, this is a
great bit of writing”, such as the portion where Minny, who is undoubtedly my
favourite character, is speaking about being beaten by her husband and she
says:
“How can I love
a man who beats me raw? Why do I love a fool drinker? One time I asked him,
‘Why? Why are you hitting me?’
“He leaned
down and looked me right in the face, ‘If I didn’t hit you, Minny, who knows
what you become.’
“I was trapped
in the corner of the bedroom like a dog. He was beating me with his belt. It
was the first time I’d ever really thought about it. Who knows what I could
become, if Leroy would stop goddam hitting me.”
I think that what I take away
from this book is a feeling of the need to examine my own attitudes, to face up
to the little prejudices which pop up regularly, even though I consider myself
free from racism, and so therefore, while The
Help is not a book which I consider a particularly good one, it was for me a
worthwhile read.
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